To say the obvious, the
writer was in his element in that post-mortem of Ken Saro-Wiwa's
life. It looks like a piece written by Sam Amadi's niece, Ms.
Dornu Kogbara, at the height of that tornado that wrapped the
roofs, the fists and converted it into a rendezvous of hangmen
in Ogoniland in the mid 90s and beyond. Sam's article was
neither here nor there like his typically capricious clenched
fists at a student union's congress at Malabo Campus at the
University of Calabar. The piece only dazzles readers with word
play and comparison of issues that have no origin with one
another, while the writer twisting his face and waists
uncontrollably in obedience to the drumbeat of the furious Igbo
Agaba (Masquerade) dance on the grave of his dead "client",
Saro-Wiwa.
At that precarious time in
1994, when the black-hearted Kangaroos under the stupendous
influence of petro-dollars converged in Port Harcourt, under the
name, Justice Ibrahim Auta Civil Disturbances Tribunal, to
pronounce the prepared verdict against Ken and his Ogoni, Sam
was working as an attorney in the far-famed Chief Gani
Fawehinmi's Law firm in Lagos. The lion-hearted Lagos lawyer and
activist, Fawehinmi (SAN) led a team of lawyers as principal
counsel, and including Olisa Agbakoba (SAN), Femi Falana, E.C.
Ukala (SAN), Oromo Natei Douglas, Hon. Uche Onyeagocha, Hon.
David Brigidi Cobbina and Sam Amadi, all notable human rights
and environmental attorneys to plead with the murderous hangmen
to spare the lives of Ken and others.
Yesterday sounds like
today, I am beginning to dread the wig if this is the way
lawyers do their clients whether dead or alive, of such
posthumous Freudian psycho-analysis. Still on the Auta's
Tribunal of High Injustice, Sam Amadi was one of the lawyers in
the team I pitied. He was under undue pressures. Though,
sustained, subtle and serious from Mrs. Ann Kogbara, Sam's
sister, she did not want him to defend Ken Saro-Wiwa at the
Tribunal. What was her ill-humour? 'How can an Igbo man like you
(Sam) defend this stupid short man called Ken, who stood against
the struggles of the Igbos to achieve Biafra. Please don't, my
son, allow these noise-making Yoruba people (Gani, Femi others)
to do what they know best. I tell you noise-making can't save
Ken". That was her pre-judicial verdict. To her, she was not
bothered whether four respected Ogoni chiefs were killed or not.
The motif of her razor-sharp tongue was Biafra and Biafra only.
Dornu Kogbara is the
beautiful and intelligent daughter of Mrs. Ann Kogbara. Sam
Amadi used Dornu's piece as the swivel in explicating Ken's life
in his treatise. However, Mrs. Ann Kogbara is an Igbo by birth
and by marriage an Ogoni. She is married to Chief Ignatus Owens
Vibe Kogbara, former Biafran Ambassador to Britain and
well-known Ogoni elite. Sadly, Chief Kogbara hopped the twing
months ago, and was interred at his country home in Bodo City in
the Gokana Local Government Area, Ogoni, Rivers State.
"It came out clear that the
vision of the Ogoni revolution was Ken's ... Was Ken really a
hero? How much were his sacrifice and suffering for the cause of
the Ogonis, and how much were they in the service of egoism?...
I thought of writing a critique of The Darkling Plan that
focussed on this irony, but changed my mind, that is not the way
to treat a client... the Ogoni revolution was very violent. It
was violence of hatred and egoism that fell the Ogoni-6, the
Ogoni-9 and turned a utopian revolution into a midsummer night
dream..."
Above were part of Amadi's
anatomisations and characterisations of Ken Saro-Wiwa's life,
his heroism, his rise to fame and his struggles. The
psychoanalytic job was chauvinistic, parochial and egoistic. I
knew Ken. He was a man who took his non-violent campaign to a
comical level. A man who preached non-violence and brotherhood
till the iniquitous hangmen struck. He was, indeed, humane to
his toiling people and others in and outside the Niger Delta.
In the science of
psychoanalysis, while decoding or unmasking the "neurotic"
personality behind a given situation, it is necessary to analyse
and interpret the society that produces such a person. Ken
Saro-Wiwa wrote On a Darkling Plain - An Account of the Nigerian
Civil War based on the trembling realities of that epoch. He was
a writer who knows the platonic relationship between his craft
and society. Commenting on the book, highly respected Professor
E.J. Alagoa stated, "The book permits the reader to see the
welter of events of the years immediately preceding, during and
following the civil war through a crystal ball clarified in the
vision of a young and honest mind. Indeed, its hallmarks are a
compelling story line and honesty and rigour in the analysis of
character and ideas".
I am sure that Sam Amadi,
while at the John F. Kennedy School of Government of the famous
Harvard University (USA) as a Mason fellow, must have met this
great woman I admire so much and been following her activities
quietly. She is Taslima Nasrin, a Bangladesh writer and human
rights campaigner, who sprang into the international arena with
her novel, Shame. The book attacks Muslim persecution of
Bangladesh's Hindu minority.
The book was banned, a
fatwa issued, (setting a price on her head). The Bangladesh
Government had also filed a criminal case on the charges of
hurting the religious feeling of people against her. The medical
doctor turned radical writer had to flee Bangladesh and
currently lives in Europe. I love her courage and craft. I lover
writers who know what they owe society. Ken was one of them.
They are the same all over the world.
Poor Ken, the man who was
too friendly with his pipe especially when the holey instrument
became smoke-darkened and flared like the death and disease
distributing flare pit of Shell at the backwoods of Ogoni. He
couldn't bury his head in the sand over the iron-handedness of
Zeus, and like the epic hero, Prometheus, unbounded his people.
Today, Ken is a celebrated writer, intellectual,
environmentalist, columnist, activist and satirist, not because
he was arrogant, egoistic, violent or frugal, as Sam would want
us to believe.
Again, I urge Sam Amadi to
read and re-read other Ken Saro-Wiwa's works such as Prisoners
of Jeb, which satirises corruption in high places, societal
decay and elevation of eco-feminism to a height in literary
discourse in Nigeria and beyond. Or, is his Pita Dumbrok, of the
martydom of environmental activism? Or where the versatile
beautiful Amazon of a journalist, Asa is re-examining unpopular
policies with the quintessential journalist Pita Dumbrok? What
about AFforest of Flowers? The book depicts dangerous
environmental metaphors, oxymoron and the reaction of the
conscious Dukana youths against environmental devastation.
My friend, Sam, let's be
fair to Ken. He is dead now. He was, indeed, a hero. The
underdogs and poverty-stricken children, women and men of our
different nationalities need our knife-edged pen to protect
them; let's stop this dog eats dog stuff. Agaba (masquerade)
dance does no one any good including its owner.
March 2004